The Supernumerary

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Ran sat in the well. The sky was white. The pods of newly unfurled leaves floated down, the donations of the beginning of spring. She stared up at the yellow-green waif-like plants, and then looked at the well wall in front of her, an impenetrable gray surface, down there in the gloom. In Maine, on Kaan’s property, she closed her eyes, soul moving around the darkened barrier, to a room beyond, a dim room, with red carpeting, in a château, in the south of France.

The room was ornate, set in a Baroque style. There was a grandfather clock, giving off a muffled clicking, over-wrought side tables and a resplendent golden davenport, made in Italy in the 1600s. A glass decanter of port sat on the heavy walnut desk of the study. The room opened out into a balcony. Translucent, white chiffon curtains floated upward, in the breeze of the late summer afternoon. Nealy stood just inside the doorway, with a glass of wine, in a beige three-piece suit and a red ascot, heavy golden rings on each hand.

Nealy turned as Ran slunk out of the shadows in the room, still wearing the jeans and cashmere sweater she had been wearing at the bottom of the well. The wind rustled some papers on the desk, held down only by a fountain pen.

“This needs to end,” Ran growled, “She is my girlfriend now, not yours.”

“How do you know that she ever stopped being my girlfriend?” Nealy asked. Beyond the balcony, the full, broad leaves of summer danced in the gentle gusts.

“She broke up with you years ago. We may look alike, but you’re on the other side of the world. I am the one she has now!” Ran said.

Nealy looked down, studying the glass of port, “No, you are the double, the clone. I am the true girlfriend.”

“Why, you -!” Ran choked out, and rushed forward, not knowing what she would do. But Nealy looked up, with a frozen glare. Ran felt herself transfixed, riveted with terror, under the unrelenting gaze. The pages got loose, from under the pen, and whipped around the room.

She woke up, eyes roving the ceiling, raking the room for any signs of the château, the chandelier, the bronze candlesticks.

Ran found herself back in her bedroom, in New York, Alli asleep, and unaware, reclining beside her.

why

Second image courtesy of Kristina Stipetic

Music:

Mendelssohn – The Hebrides, overture in B minor for orchestra (‘Fingal’s Cave’), Op. 26

A Heart Made of Ground

when i'm with you

There’s the rider.

The only constant is the horse and it’s always moving.

Ride down Main Street; pass in and out of the town.

Hear the hooves in the dirt.

Splash through the gully; stand in the stirrups like a jockey.

 

Stand up in the saddle. Put your full weight on the horse

Let it rear. Give chase.

Shoot out of town.

Ride down the canyon

into the ghostly horizon.

 

Down in the deserted places

there sits the owl and the cockatrice,

the stork and the dragon,

bones and lizards,

swine and ravens and unclean things.

 

When the horse dies, trod off

with graying clothes bleached by light

and shoes with soles that are falling off.

Gloves of thinning leather,

two silver pistols and spark and ash,

a target to shoot and never catch

and a hat that’s lost its firmness.

 

It’s not about the horse;

the horse isn’t the important thing.

 

Ride on forever and never die

even when arm bones fall apart.

Ride until outline, form and mold of body dissolves,

the water in the vessel pouring out,

unraveling large, sharp shards.

 

Nothing is permanent.

Ghosts are meant to exist in the desert.

 

A person of light stands on the black shelf above, beckoning;

it’s a form of someone who exists below.

 

There’s a human outline in the dust,

a space created by the wind,

a hole in the maelstrom.

 

There’s a rock formation that looks like a person,

There’s a person glowing in the night vision binoculars.

Run down the road at night.

Squint and never really see.

 

For every person out there,

there is a second person out there

living out the same exact life as you.

Out here, there’s only two.

 

A satellite dangles in the cold.

The skull of the sky shudders and turns overhead,

An arrow of light strikes in the darkness,

a thread pulling you over the gravel;

it’s pulled by an outline, a space,

stepping over clouds and stars.

 

Run, crawl, gallop and scramble

over dusty mountains to get there.

Give chase to the end, blue and frozen,

drenched in snow and ice.

Someone is flashing like a lighthouse

but soon that outline will disappear.

space