The Long Tomorrow

and if i leave

Ran held herself inside. She imagined hooks against skies of gray, black hooks, interlocking, pulling away from each other, like curled, intertwined fingers, or chains, holding together and rising out of slate-colored dust, holding on to a black monolith pointing toward the sky. She felt the links, invincible, lock and tighten, every little beaten piece of metal straining. She was straining, compacting, crumbling down. She was trying to stuff this down, slather it, and shape it into a sleek black or gray block of matter, like a block of garbage at the dump. But all of it kept slithering away from her, like slimy mixtures of greasy, forest green liquids seeping out between her fingers.

She was shouting so loud, in her head, that she was afraid someone could hear her. No, maybe, someone could see the thoughts spiking out of her, like jagged spires of black and purple crystals tearing out of the pink vestiges of her skin, wrapped tightly and futilely around a geological mass she could barely hold in. Or maybe, they could see her thoughts oozing out of her pores, like mustard-colored pus. But they couldn’t. They couldn’t see or hear how she felt.

Here she was, running all over herself, just begging for them to see. She blamed herself. But her face was an immobile piece of china, shaped into a neutral expression. This had never happened to anyone she knew. She’d only heard about it. Polycystic ovaries. Somehow it was her fault. It was all seeping out of her, a river of black gunk, flowing over the deck and leaving a black ribbon behind the ship.

Why were they going back to the Caribbean? To try again? To get the feeling back, under mango and breadfruit trees? To forget, in a land with dark hills and paths of red dirt with little stones that would get into her tennis shoes and cut her toes open? For what? Maybe, Alli sensed that something was amiss. She couldn’t stand her. Alli couldn’t stand to look at her, Ran thought. The chains tightened and jangled like they would pop.

“Calm down,” a part of her thought. But she raged inside her head. Always thinking, never doing. Always standing there, slack-jawed, arms swinging – when the doctor came to her and said those garbled words – always standing there, helpless! It was being done to her again. She stood there passively. Somehow it was her fault. “She has a cyst? That can’t be right,” she must have said. “Go back and check again,” she must have thought. But there was nothing they could do about it. The spikes grew sharper, driving their way out of her skull, forming a fuzzy purple halo. She had stood there helpless.

“What could you do?” her guru Briana had said, “It isn’t your fault.” But what did she know? What pain did she go home to nurse? Ran kept picking at it, probing it with her tongue, trying to flip it over and see the raw dermis underneath. Her stomach was roiling but she was still at the rail. Nothing would stay down anyway. Sweat covered everything. There she was on this cruise ship, the Queen Victoria, helpless. Navy-blue water, right off the brochure, stretched all around. She could get little pink umbrellas with her drinks. Ran was crumbling, crumbling inside – little gray specks of clay and rubbish fell off that compacted block inside.

“How do you keep such pain hidden away in your heart, like a black slug under a stone?” the guru had asked her. Pain from what? She didn’t know. Or she did, and she didn’t want to know. Flames of rage fanned out of her, like tongues of a peat bog fire sparkling, leaping in a hole. She didn’t know why. It just came out. She could bite her tongue until she tasted the salt of blood, but the heat of her fire would puff, in her belly. Somehow it was her fault. That unconfirmed, irrational fact, sat like a slug, like a stone, in her belly.

She couldn’t let Alli brood. She couldn’t sink waist-deep, in self-pity. She had to keep reminding herself that for however bad she felt, Alli was feeling ten times worse. But she couldn’t imagine feeling any worse than she did now. But she should go talk to her. Ran had the best understanding of how Alli was feeling. They were both going through this together. Her dry tongue slid over her teeth; she couldn’t find the words. The dry heat licked her belly. Do something. Stop thinking. Nothing but a dreamer after all.

“A drink, ma’am?” a waiter asked. Ran’s thirst clicked behind her teeth. “I don’t drink, I apologize,” Ran said. The waiter moved on and she stared back out into the night in silence. The moon hung over the water, dropping its moonbeams lazily into the ocean for the fish to twitch around in. There was much more to her than this – her current marketing firm, self-owned. But what if she had failed already? The chain links clinked.

She hadn’t known what to say. All she felt was soreness and a great desire to keep sleeping under the covers. Every time, she’d wake up, look at the red digital numbers and roll over. What to do? What to do next? Nothing but a dreamer after all. She wanted to roll over and not be bothered.

Banging around in her, clanking and scratching away at her cellophane skin was an odious black, twisted form, all arms and legs, with no head, trying to dig its way out. But no matter what, she could not vomit it out; she could not spew forth this poisonous lump – so it hung there in her belly, like a hollow, pockmarked, abscess-filled tumor, its black seepage trickling out of her pores. She could not give birth to it.

“I want you to remember the last time you were happy,” her guru had said to her, “Squeeze it out. Grab hold of it. Hold it in your hands. You’re there.” Ran imagined herself splashing in cool, iridescent water that broke, like tessellated glass, all around her, as she clawed at the air, looking for the lifesaver.

They had the requisite two careers, and a house in a ‘good’ neighborhood. Alli was staring at a wall in the cabin. Ran could go in there and do the right thing, talk to her. But the black, rusty hook rooted to the bottom of her stomach said ‘no,’ anchoring her there. Easier not to do anything. Roll over. Go to sleep. Easier not to do anything. A blank life stretched out in front of her, like the dark sea.

Ran wanted happiness and love, not this clear, mushy feeling that broke up and slipped through her hands. How far away was the shore?

better places

10,000 Year-Old Scorpion

a good rocket for space a bad rocket for world destruction

There is a market value, pressure or a share for having all our media – film, video games and even books – start to look the same, like they all came out of a shared internet or digital machine. A valid point on the digitalization (and I would argue game-itization) of almost every aspect of our culture – ATMs, phone games – can be made. Almost every social network, from Facebook, to LinkedIn or Steam, edges you along with “achievements,” goals taken straight out of the world of gaming.

Web pages in Web 3.0 are starting to look alike, with the same slick interface straight out of the latest blog templates – just check out Tumblr, Blogger, Gmail (anything made by Google – search, etc.), Twitter, Pinterest, Storify, Instagram, Bing and the latest victim – LinkedIn.

There is talk of a technological singularity – which is very well possible. Instead of having a separate phone, tablet, music player, computer, game console and TV to sync every day, to the cloud (or worse, with cables) why not just have one portable, convenient gadget that does everything? There’s a market for that.

Consumers will pay for the convenience, the same way today people pay for the convenience of ready-made food (fast food) and ready-made computers and operating systems, that come with all the programs you want built-in, already installed.

It’s all about convenience – why do it yourself when you can just pay someone with the specialized knowledge or you can pay for a ready-made device or software that does it for you? I’m not making a right or wrong judgment here, just an observation on the way things seem to be going or the way they are.

Before that technological singularity, a media singularity will come first. Movies are adapted from books. Comic books and video games are made for and from movies. A video game can spawn comics, books and movies, in a media circularity that never ends. Through this process, all media forms will begin to look alike and borrow from each other, such that you no longer really have a piece of entertainment anymore – an individual film, book, video game, etc. – you have a franchise, a brand. This brand system already exists and has existed for centuries now (remember those advertising Mad Men in the 1950s?). It is simply exponentially faster with the new distribution pipes of the digital age.

You can deploy a brand into almost any kind of entertainment or medium and get the maximum amount of market share and the maximum amount of profit – so long as there is a desire for those products. It’s convenient. There’s a market share for that. Why have fans of a certain franchise or brand – say Star Trek, Taylor Swift (individual celebrities are brands too – hence why many artists go by one name, like Madonna) or Twilight – fantasize and write fan fictions about a movie when the movie/book/film/video game/soundtrack can be made for them and be available on their iPad/Smart TV/Xbox/Steam Big Screen/etc.?

The technological and media singularities reinforce each other and make for maximum convenience and therefore maximum profit. It just comes down to what people want. If people want convenience, products, goods and services are going to be made for that desire for convenience and they will be profitable because people want that convenience. If people don’t want those products, they won’t exist.

It’s a bit circular and chicken-and-egg, but this is how the “industries” – the film industry, the video game industry, the toy industry, the computer industry (Apple), the high-end “gamer” video card industry – all work: give the people what they want and make a profit off it. This is like the profit structure of World of Warcraft (although I disagree on whether video games can be used to ‘train’ people)

The moral, ethical and political questions then arise of “well should it work this way,” “could it work another way,” “would it work better another way” etc. or statements like “perhaps it works fine this way” and “it is morally and ethically right for it to work this way (people have the freedom to choose)”, etc. The better ethical, moral and political and economic questions should be concerning what people want and why they want it, and can people freely choose what they want.

That’s what’s at the heart of it, that’s what’s at stake. That’s how these products, services and trends are made. We can’t turn around and think that they appeared out of thin air. They weren’t made and foisted on us – at least not theoretically. No, what we’re getting – from the 1950s, the 1800s and perhaps longer than that – is what we want.

sony