A Donation of Sense

March 17, 2018March 19, 2018 ~ Piece, of the Sky

hibiki_saka_gunbu2

An instance of denotation, manifestation and signification failing to support sense, is Alice losing her name.[1a] Alice loses the name that denotes and signifies her. Hence, sense is separated from the three dimensions of proposition. There is a regressive denoting of further senses.[2a] From Latin, and later, French – doner, donnes – comes the English word, “donate.” We are donated the “givens” in a problem. [3a] The problem preexists the answer. Alea, a game of chance,[4a] runs on lack and excess. There are no Ideal Forms, only forms, casts, events – points, sets, series, pips on a die. You have sets and series, with lack and excess moving between two sets.

In an identity, x = x. Sets hold various identities, including limits and singularities, placeholders, like zero. A singularity is a point or a non-point, like the eye of a storm or the center of a whorl of hair. In physics, black holes are singularities, rips in space-time. You could say singularities are points of pure becoming. A singularity is another point in a set; a point has zero dimensions.[1] Humpty Dumpty, an egg, has no organs; he is made of singularities instead. He lacks identity.

In losing her name, Alice gives off her incorporeal double. Doubles involve two entities going in two directions and good sense. There are the doubles, Tweedle-dee and Tweedledum, the Hare and the Hatter, but also the liminal in between. We have the Stoics’ Chrysippus effect and the law of the excluded middle, the infinite set, the limit and the convergence toward a limit. In the present, is the event, a point connecting to the infinite line of Aion, the ideal game, a line on a flat surface, the width, a frontier. The zero, the empty space, a floating signifier, is the ‘something,’ the aliquid, between the two sets. This given, in the problem preexisting answers, is the doner, the donation, between the two sets. Sense is that donation, the given – ‘that’s a given.’

Sense is the empty square between the two sets, the two series. Lack and excess define the two series, and the singularity is the event that provides coordination between the two sets. There are two sets, the signified and the signifying.

In the opposition between the surface and depths, the surface, the membrane between bodies and words, things and propositions, begins to break down and have holes. The body is a cavity with a broken surface; it is porous, with little holes. If there were no separation between propositions and things, words would enter bodies. Of course, this is not the case. In the world of depth, bodies are penetrated by other bodies, mixtures – this is a wound. On the other side, in a separate set, is sense, the event, an incorporeal effect, a surface effect. The surface effect, the pure ideal game is set apart; words are set aside from bodies.[2]

There is also the organism without organs, a body without organs, an egg, like Humpty Dumpty, or an embryo with undifferentiated organs, or a zygote with poles of cells, thresholds of potential. On the zygote are the animal and vegetative poles, active and passive poles of cells. The egg and Humpty Dumpty are points, singularities. They take in both sets of aspects – that of bodies but also skins, peelings, surface effects, events, sense – a body but a body without smaller, internal bodies, encased in membranes: a body without organs.

In the egg, this body without organs, there is no surface, no frontier, no difference or differentiation. The fish become a part of the sea, thus alluding to Humpty Dumpty’s poem including fish.[3] Are the fish apart of the sea or are they separate bodies? In this body without organs, between surface and depth, words enter bodies. Fire, water and air, classical elements, combine. Body and words become one – a strange amalgamation, like the portmanteau word.

Hecate is the goddess of the crossroads, the liminal and facing three ways. Circe, is an expression of Hecate, who is also the goddess of the moon. Circe turned the lotus eaters into pigs, a moment of pure becoming. There are lost pigs and other animals on Peter Pan’s island. Hecate and the nocturnal, connect to seemingly nonsense words: “lost pigs of the moon.”[4] Water and fire, classical elements, combine again. The combination of opposites points to the duality of the body: the fragmented body with separate organs and the body without organs. Peter Pan releases his shadow; both Peter Pan and Alice release their incorporeal doubles.

There is a difference between the nonsense of the surface and the two series, and the nonsense below sense and the surface, the nonsense of the depths, when the two series collapse into one. Sense slides along the surface width, between the two sets of signified and signifying. Meanwhile, there is no surface or difference between continuous bodies surrounded by their surface membranes, only depth. The lotus eaters are the nexus, the connection, between pigs and eating. Eating entails a digestive track from end to end, a tube, a hole, a tunnel, a surface of epithelium, running through the body, continuous with its surface; skin on the outside and the meeting of internal and external, inside and outside – one giant surface, running through a depth.[5]

Sense is the bi-directional line, like Aion, the divider between language and the body, protecting the body from language – when words pierce bodies, a wounding. Sense is the barrier, the mirror, keeping words, the incorporeal, proper names – and the body, bodies, the depths, separate. Sense is a singularity, an empty square, a supernumerary zero, moving between the two series of propositions and things, eating and speaking. There are two series, the body versus language and words.

Telescoping, Aion and Alice are unfolding, along an infinite line. Common sense, identity, is being eroded. The body goes back to being an egg, an undifferentiated body without organs. Doubles and doppelgangers appear in tandem – Hatter, Hare; Tweedle-dee, Tweedledum. The nonsense of depth is pitted against the nonsense of the surface.[6] The nonsense of depth, is corporeal; there is no surface or frontier – words pierce bodies and wound them. The surface collapses, pierced with many holes; it is porous.

The nonsense of the surface is the logic of sense, language, the incorporeal, the surface, the dividing line between the two series of language and bodies. The surface is like the surface of a body of water – it is easily pierced. Bodies pierce mixtures, producing surface effects, ripples. Sense is produced on the surface; when the surface collapses, sense collapses.

Sense is produced at the intersection of identity and direction. Sense doesn’t say its own sense – like nonsense – it further denotes in a serialization: n₁, n₂, n₃; infinite regression, eternal return. Sense is the surface between words and bodies. A surface and the liminal space before it, are indivisible; they are two sides to one whole, like two-faced Janus: a double causality. There are two forms: the general and the individual, two perspectives,[7] surface versus depth. There are two series of singularities, with empty square and esoteric words, circulating between objects and words, bodies and language, signified and signifying.

Faro

[1a] The Logic of Sense, 18.

[2a] Ibid 31.

[3a] Ibid 55.

[4a] Ibid 58.

[1] Ibid. 80.

[2] Ibid 87.

[3] Ibid 89.

[4] Ibid 90.

[5] Ibid 91

[6] Ibid 92.

[7] Ibid 99.

A World Underground

March 5, 2018May 20, 2018 ~ Piece, of the Sky

discreet charm (2)

“Are you sure you want to do this?”

Alli nodded, one foot on the rope ladder, hands resting on the edge of the well.

Ran looked her in the eyes, and gave her a peck on the lips, “Alright, have fun on your adventure.”

“Well, Kaan did say this was the only dry well she’s ever found,” Alli remarked, “There’s no way I could come all the way back up here, and not check it out.”

“Be careful,” Ran said, switching on the flashlight mounted on Alli’s helmet.

“I will,” Alli smiled, “Stay on the walkie-talkie.”

She climbed down into the abyss. The pool of light above her head swam around the cold, stones, slick with the morning dew. The further down one went, the less likely that liquid was to evaporate.

As each rung sunk under the weight of her foot, she wondered what she was doing. Kaan had cited Aro’s advice to look for the blockage of the flow in a dry well. This was back when Kaan and Aspen had been still together. Then in Maine, Kaan had found the dry well in question. After exploring it, she offered it to Alli to use.

Ran’s head, swaddled in the red-orange corona of her hair, floated above Alli, on the surface. She was an auburn glow, looking down, crowned by the aura of the blue sky, sunlight filtering through the still empty branches.

It grew colder quickly, but Alli was in a puffy jacket. She seemed to descend forever. When her foot touched the wet dirt at the bottom, she looked up. Ran was still there and waved. Alli waved back. Like Kaan had explained, there was some sort of water main at the bottom of the well, a sewer leading farther into the bowels of the earth.

Alli waved to Ran once more, and disappeared into the ragged entrance, torn open by some water diversion crew years ago. The absence of natural light was felt immediately; the artificial light on her head bounced up and down with her movements, with each step into the gloom. She followed the slim stone catwalk, running along the channel of water, at the bottom of the well.

She tried to keep her heart’s rushing to a minimum. Other than the cloak-like darkness, the tunnel was peaceful. The underground brook gurgled. Tree roots hung from the ceiling. Occasionally, the muted rustling and shuffling of rodents, mice in the soil and crumbling or eroded parts of the walls, was heard, as they ran through their burrows.

Alli walked on in the darkness, for half an hour. The orb of light, a fluid conic section, danced along with her footfalls. The path sloped upward, and Alli struggled to keep her balance on the slippery rocks. As noted by Kaan, the passageway opened to another platform, the bottom of a second well, about two miles away.

The sky was the color of a robin’s eggshell. Cumulus clouds drifted over the opening, out to the distant sea. Alli sat down on the well bottom, looking up. Water glistened and rolled down the stones, past thin creeping vines, and fine, feathery plant growth, minute patches of lichen.

She held her knees and turned off the helmet flashlight. The morning cold gave way to the sunlight of early spring. She breathed in the musky smell of the damp undergrowth, tiny leaves, stunted in the half-light. She looked at the mute, unassuming stone wall in front of her, still covered in life, even several feet below the ground. Alli closed her eyes.

At this terminus, the path continued, but it was an immaterial path. In her mind’s eye, she was walking onward, stepping beyond the wall, seamlessly into the summer home of Nealy, located in the south of France.

The hallway was dark; only lit from the day, creating a chiaroscuro of white beams in a flurry of mites and dust. The red carpet was well-tread, but still soft, pliant. Alli crossed the hallway, dressed in a white jacket and pants, wearing a navy-blue pocket square.

Nealy was at her side, also in white, but sporting a red pocket square. They walked out to the main staircase and passed through the atrium, to the exterior of the house and the grounds.

Outside was a haze of orange light and strips of clouds hovered in the last minutes of twilight. They strolled the rolling promenade, not worried about getting grass on their white shoes. The evening was relaxing and cool after the heat of a summer day. The lawn was empty except for those two white-clad figures. It was just those two walking in the mists of time.

They reached a white swing hung from a stately oak. Alli sat down and Nealy stood up, holding the ropes of the swing. They looked on at the sinking sun, the pink sky, heard the chirping of the sparrows in the bush.

Will we never be this way again?

“The ghosts of time are always racing toward the sunset,” Nealy said, “There is an eye of the needle that they must squeeze through, to get back to their world, before night falls.”

The last embers of dying rays were being extinguished, consumed by the graying hills, the dark countryside.

Will I ever see you again?

Alli jolted awake, shivering in the night. Above her the circle of the sky was a midnight blue, dotted by stars. She shuddered and said into the walkie-talkie, “Ran, are you there?”

A pause, but then the connection crackled, “Yes, I am at Kaan’s cabin. I can see the other opening from the porch,” Ran said.

“I’m coming back,” Alli said.

She stood up, joints aching from being in one place, one position, for so long. She looked up at the post-twilight sky. The portal was closed. A memory was gone forever.

Criesandwhispers